As in proto-cinematic cave paintings and ancient shadow theatre storytelling traditions, Facing West Shadows seeks to understand non-human species and our relationships with them. Among their inspirations are the Bay Area’s own precarious and diverse ecologies and Eadweard Muybridge’s electro-photographic investigation of consecutive phases of animal movements. By weaving multiple moving images of Bay Area ecologies, mycorrhizal networks, fire, and water, Facing West Shadows: The Endless End takes the viewer on a time-based and immersive journey through cycles of ecological and species extinction and sometimes, survival.
About Facing West Shadows
Facing West Shadows (principal members: Lydia Greer (artistic director) and Caryl Kientz (theatrical director) in collaboration with artist Ya Wen Chien is a collective of artists, puppeteers, filmmakers, and musicians hybridizing art forms to create magical acts of rebellion as experimental art that is sustainable in the current gold rush climate of the Bay Area. Facing West Shadows combines analog shadow theatre with original animation, video projection of found footage, and sometimes Opera performed live. Expanding into film, theatre, and installation, Facing West Shadows depicts stories re-imagined with unique visual storytelling to create surprising experiences for the audience by seamlessly combining old and new technologies and art forms.